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This show both annoyed and amused me. Parts of it were absolutely awesome. Unfortunately, most of the beginning episodes are terrible. Also, the show could have ended at episode 7 with no problems. Instead, they dragged it on for another four episodes. The ending was still surprising and funny but it seemed tacked on. Would I watch it again? No. But I'm definitely going to try to track down more of Matsuoka's dramas!
I heard amazing things about this show. Knowing how hardcore fans can get rabid about "awesome" shows, I can reluctant to watch it myself. I'm sorry I waited so long!
The show mostly revolves around Osawa. It flips a little between her personal life and her extraordinary detective skills. I'm happy that they didn't delve too far into either arena. The show would have sucked if it was based on "You can't get a husband." On the other hand, I think it would have been too dry if it focused solely on the detective work. It was a great balance between the two.
I'm not going to go into each of her subordinates individually because that would take way too long. I enjoyed seeing the transformation of Kimoto Mami (Toda) from a stand-offish loner into an actual part of a team. Since there is a second season on the way, I hope to find out a little more about Iwai (Kendo) and Yamamura (Nukumizu). They were great secondary characters but they seemed to get tossed out to make room for everyone else. I'd like to see them make their own transformations.
This is most definitely a must see. Don't wait!
During his last battle, Vince managed to break some ribs. Max wants him to take the day off to rest. Unfortunately, heroes don't always get a day off.
Vince tries to spend the day watching his son, Trip. Halfway through the day, He (and Orwell) gets attacked by Goggles and Hicks, a pair of assassins hired by Fleming to get rid of The Cape. Of course, Orwell and The Cape defeat the dastardly duo.
Meanwhile, Trip manages to make a new friend....even though the friend is a little on the weird side.
I found this episode to be fairly boring. Nothing new was revealed other than the fact that there are more members of Tarot. (um, duh.) I suppose Trip's new friend could be interesting. It'll definitely be better than his mom hounding him all the time about stuff.
I'm ready for the show to be better now....
Kawamura Tamaki gets rejected from every job except one. A customer service representative for a travel agency. Basically, she answers the phones and hands out complimentary tissues to passers-by. When her boss tells her that, as a new hire, she needs to learn everything, she mistakenly takes a task as a tour guide. Kawamura receives rave reviews from the customers and, as a result, gets a promotion. One of the perks of her new job is a company cell phone. Shortly after receiving her phone, she bumps into the company's number one employee, Tamaki Saori, and accidentally ends up switching phones with the woman. The company president thinks he is calling Saori to present a tour to an important foreign company when he is actually talking to Tamaki. Tamaki, thinking that he really is calling her, takes on the task.
Saori, on her wedding day, sees an old boyfriend, Kusaba Fumiya (Okada Yoshinori), and spends a majority of the day in her bridal gown running after him. Okada, as a representative for the foreign company, thinks he is supposed to have a business meeting with Saori instead of Tamaki. It all comes to a head when Saori arrives, still in her wedding dress, at the agency and the president rushes her off to the conference room to hold the presentation. Tamaki, knowing that the foreigners will be bored with the current presentation, shows up with a brand new one featuring photos from tour guide, Inoue (Gekidan). Saori hands the reins over to Tamaki, whose presentation is a smashing success. In the end, Saori gets married to her fiance and is about to have a baby, while Tamaki takes over many of Saori's tasks in the company.
With only two episodes, I figured Chance! would either be amazingly awesome or completely awful. Luckily, it is not awful. Horikita Maki plays the clumsy newbie very well. There wasn't a single moment where I didn't believe her circumstances, no matter how unlikely they were. Kuroki Meisa's character, Tamaki Saori, is very important to the story but she spends most of it running around in a wedding dress. Though, I suppose, we don't really need to know a lot about her since the story is all about Kawamura Tamaki. Fortunately, comic genius Gekidan Hitori is along for the ride as tour guide Inoue. Despite being a very short show, I found it extremely enjoyable. This is definitely something you should watch.
Flashback! Peter Fleming talks with ....a scientist? An engineer? I'm not really sure. They are discussing a young girl named Tracey. She is a savant who sees the world in probabilities, giving her the ability to basically see the future. She correctly predicts every throw of the dice, as well as predicting that Fleming will kill her father and she will kill Peter.
Fast forward ten years and Ark is about the debut a new type of artificial intelligence called T.R.A.C.E. (pronounced Tracey, of course). The device will give you the answer to any question you ask. If you ask "What color shirt will I wear on Tuesday?", it will calculate the probabilities and tell you that it will be "blue." Yeah, it's a bit of a stretch.
Now an adult, Tracey, going by the name Dice, shows up to assassinate Fleming. He barely escapes alive. Orwell and Vince watch the security tape from the event and Vince figures out the true identity of Dice. Together, Orwell and Vince go to her apartment to find out what Dice is up to. She finds the do-gooders and attacks. Vince chases her into the basement, where Ark's men pick her up.
Fleming, for some reason, is intrigued by Dice. Of course, she tries to kill him again. This time it is The Cape that saves him. Orwell pointed out that if Dice kills Fleming, there will be no way for Vince to clear his name. So now it's up to The Cape to protect Fleming from the deadly woman.
Orwell watches video of Dice staring at the Ark building for two hours straight. With the upcoming debut of T.R.A.C.E., Vince knows the party will be where her next attack takes place. Unfortunately, due to all of the attempts on Fleming's life, security will be on alert. He turns to the Carnival to help him. Ruvi the hypnotist and Raia the tightrope walker decide to help him learn how to tightrope walk from the top of one building to the next. When the time comes, he just barely makes it across the gap.
Dice has filled an elevator with gas and plans to use that to blow everything up. Again, The Cape saves the day. He gets all of the innocent people out of the way before saving Fleming's life once more. However, he does not save the T.R.A.C.E. technology. He blows that up himself. Meanwhile, Orwell handcuffs Dice to the handrail in the stairwell, effectively letting Ark capture her without being captured herself.
What to say about this episode.... It was OK. I thought Dice's visions were very well done. However, things were a little too convenient. Supposedly, Vince/The Cape wasn't in her visions. If she could predict the future so well, she should have known he would be there. Even when she found out about The Cape's existence, she never takes him into account. She watched him save Fleming at least once yet never tried to account for that in future plans. I think I'd like to see her again but only if her mistakes get corrected.
I was definitely excited when I heard that Shun, Mao, and Hiroki were doing a drama together. They are so awesome. Considering it had the "Dolittle" title, I expected some sort of animal talking thing. There wasn't any. It's simply a nickname because Tottori is good with animals and his name kinda sounds like Dolittle. Ah, well. Onto the review:
I have to admit that, for the most part, I enjoyed the series. It took me a long time to warm up to Tottori but, if you pay close attention, you can see that he's an ass because he cares for the animals so much. He thinks that their human caretakers are idiots and, most of the time, he's right. In one episode, a girl allowed her ferret to run free in the house. The ferret chewed on her slippers, swallowed some rubber and almost died. Yet the girl refused to take responsibility for it and when the ferret was well enough to go home.....yup, she let him run free again and the ferret got sick again. It wasn't until the ferret almost died a second time that she realized her selfishness. So, yeah, I felt that he had every right to be an ass to her.
On the other side, you have Hanabishi. He is very popular and works well with people. Yet he can't overcome a past trauma, stopping him from being able to operate. He does get along with Tottori so I'm not sure why the two of them didn't form a partnership. Hanabishi could diagnose the problem and deal with the customer, while Tottori operated and cared for the animals. I think that if they joined forces, they could have been way more successful than they would be separately. Instead, Hanabishi keeps shipping animals off secretly to Tottori's clinic to be operated on. The whole thing kinda makes me want to bang my head on the table.
Tajima is right in the middle of this. In the first episode, Tottori heals her prized horse. She can't afford his fee so, after failing to get hired for any of the jobs she applied for, she goes to work for him to pay off the debt. During her tenure at the clinic, she finds her purpose in life. Of all of the characters, she is the one that grows the most throughout the series. To be honest, without her, the show wouldn't have been nearly as good. There is a hint of romance between her and Tottori but not enough to overwhelm the series. At the end, I was glad that she realized that she wanted to go to school to become an animal nurse.
As a whole, the show is a little slow. There are a variety of animal patients so it was nice to see them work on more than just dogs and cats. However, there is a ton of politicking going on. That part annoyed me. Everyone was all "Let's help the animals!" but then would stop something because it was against an agenda. Granted, that is how things can be in real life. But this is a television show. It's not supposed to be too real!
Anyway, if you can look past Tottori's arrogance and Hanabishi's want to please everyone, it's a decent series. It's more about conservation and helping animals than it is about the humans. The best part is that it's different from most of the other shows I've watched lately. It was refreshing.
And why are evening dresses with feathery masks considered 'costumes?'
This episode appears to take place in one day - Vince's son, Trip's, birthday. However, an awful lot happens for one day.
Scales is working his schtick at the docks when an Ark flunkie comes to shake him down. Pissed that Faraday didn't come himself, Scales threatens to kill the flunkie later. The Cape watched this, of course, so now he knows that both Ark and Chess are taking money from the ugly baddie. Vince makes it his misson to tell Scales that all of his troubles are caused by Faraday in the hopes that the public will find out that Faraday is Chess.
For some reason, there is a costume ball on a train. Faraday shows up as a white-clad sheriff. Orwell is there in a pretty dress and a mask. (Really. This is such a lame attempt at a costume.) Meanwhile, the prison administrator guy from the Tarot episode is dressed as The Cape. And the Carnival of Crime is there to rob everyone, despite Vince's attempts to get them to help him.
Scales confronts Faraday, propositions the mayor with illegal goods delivered from his docks, and attempts to tell everyone that Faraday is Chess. Needless to say, the mayor rebukes him and then everyone laughs at the Chess revelation. In his anger, he steals everyone's money and jewels before holing himself up in the caboose. When he separates the caboose from the rest of the train, the brakes on the main part of the train stop working. (Who designed this thing?!) Faraday and The Cape have to work together to sever the brake line underneath the moving vehicle.
Of course, they save the day. Though it seems that Faraday recognizes Vince in the costume. Back on the now-stopped caboose, the Carnival faces down Scales. They steal what he stole and lock him in a cage. He breaks out of the cage by slamming his head against the bars so many times the hinges snap. And who does he happen to find there? The Ark flunkie from the beginning of the episode. Convenient.
I found this episode to be very lame. Scales is a terrible villain. He's entire character is based on the fact that he looks like an ugly snake. He doesn't even have snake-like powers. He's another ugly thug. Blah. Oh, and the storyline about Trip's birthday was boring. His mom had a bad day. She got stuck in traffic so she was late and her cell phone battery died so she couldn't call Trip to tell him that her co-worker, Travis, was coming over. He had to sit in the hall for the entire episode. As a result, the show was filled with more flashbacks of things Vince did with Trip on his birthdays. None of it progressed the story at all. C'mon writers, get with the program.
Yes, I watched another KimuTaku show. Sometimes I think these will kill me.
Once again, parts of the series are awesome. The final two episodes had me hanging on the edge of my seat. (Even though I really knew deep down that Takuya wouldn't lose.) Unfortunately, out of 10 episodes, at least 6 of them are completely unnecessary. The information has already been given to us but the story takes forever to relay it to the important characters. I would have liked the show better if they took the final two episodes and made those the focus of the show. Instead, we get way too many scenes of Shinkai wandering around the hangars' metal buildings. I get that Ayumi works there and he wants to see her. But you don't go wandering around those places!
ARGH. I need a break from KimuTaku for awhile. Hopefully, Oguri Shun will help ease my pain.
Remember, there are spoilers behind the cut!
I found this episode to be slightly informative, yet annoying at the same time. We learn a bit more about the origins of the cape. It has been handed down among master magicians who all turn on the persona of "Kozmo." Max Malini was the last official Kozmo. His apprentice was Gregor Molotov. Gregor did receive the cape as the new Kozmo but he used it to murder a woman. So Max took the cape back and Gregor traveled around various Russian prisons for 20 years. However, as an escape artist, Gregor managed to find his way out of every prison. This time, he has come back to the Carnival to retrieve his cape.
While at the Carnival, Gregor meets Vince and figures out that he is the one with the cape. At the same time, Ark is breathing down Orwell's neck. Ark raids her hideout mere minutes after she flees. Orwell turns up at Vince's door berating him for trying to shake down one of the members of Ark's police squad that set him up as Chess. Thanks to his shenanigans, Orwell has lost her hideout.
So now both Gregor and Orwell are at the Carnival. Gregor reads Orwell's palm and reveals a few tidbits about our unknown computer expert. Unfortunately, these aren't really informative facts. She's spoiled, has daddy issues, and she's been imprisoned. In all, it's pointing toward Orwell being Peter Fleming's daughter.
Of course, Gregor doesn't get the cape. Of course, Vince proves to Max that he is honorable enough to handle the cape without going to the dark side. Of course, Vince's wife, who believes he is dead, is starting to move on with her life. And, of course, this shows his tortured soul side.
I believe Scales is back as the Villain of the Week next Monday. If the show doesn't pick up the storyline a bit more, it will definitely lose the audience. I know this is only the third episode (the pilot consisted of two episodes) but people won't wait around forever.
This show made me absolutely hate KimuTaku for the first 5 or 6 episodes. Since this is only an 8-episode series, that's an awful lot of time hating the main character. He does redeem himself, of course. It just would have been nice to see that change start around episode 4 or 5.
Shinohara Ryoko is awesome as designer Maemi. She made me feel so bad for her character, even though she didn't want anyone to feel sorry for her. I think she totally made up for the crapfest that KimuTaku was.
Poor Kitagawa Keiko got robbed though. Onuki Yuzuki is completely a throw away character. She has no real importance to the show. Even when she tries to make big reveals, the information has already been given by another character. She's convenient but unnecessary.
Now onto Lin Chi Ling, who, in my opinion, takes up way too much time. I'm pretty sure her role was to show what a hardass Hazuke is with everyone, even those he claims to love. But all she really did was take away from the awesomeness that is Maemi. However, the interaction between the two women was nice. I guess that is one redeeming value.
This show absolutely depended on the actors and their characters. There wasn't a big plot to reign the characters in. If the characters failed, the show would fail as well. For the most part, the characters are annoying. It isn't until the last few episodes that anyone shows any redeeming values. I didn't think the show was horrible. It was just meh.